It's just that something was bothering him. This flight should have been a respite, a punctuation mark to the arduous pre-production work done between then and now, the last nap before the plane landed in Bangkok and production began on a $30 million movie - his $30 million movie. Months before the flight, the snub-nosed and thick-spectacled fortysomething signed his first director's contract. And if there's a message to this tale, that's it. But in Hollywood, nothing comes easy for everybody. Most screenwriters can't land one blockbuster he had a baker's dozen to his name, including Commando, The Running Man, 48 Hours, Another 48 Hours and Die Hard 1 and 2.Īs a bona fide hit-maker, the writer had amassed enough creative capital to do what so many successful screenwriters aspired to before him: become a director. Over the previous decade, from 1982 to 1992, de Souza had established himself as a screenwriting wunderkind.
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